2390 Ask questions collectively
“Renly, some people think that in 'The Lobster', your performance was not really explored and that your collaboration with Oggoth didn't seem to have enough chemistry. What do you think about this?？”
“Oggoth, what do you think of Renly's performance?？”
“Renly, not long ago, we just enjoyed your wonderful performance in "Crackling Drummer". Do you think that the performance of "The Lobster" is relatively simple?？”
“Renly, which performance scene left the deepest impression on you in the entire movie, and why?？”
“Renly, the solo dance scene in the forest is undoubtedly unbalanced. What impact does this have on the structure of the entire movie?？”
“Renly, starting from 'The Ballad of Drunken Country', you have played the image of a frustrated middle-aged man in four consecutive works - although Andrew is a young man, the overall tone is very dark, at least gray, does this mean? , the tone of your performance has been fixed.？”
“Rachel, what was it like filming opposite Renly?？”
“Ogus, how would you rate the acting throughout the film? are you satisfied？”
“Renly, how do you interpret the ending of the entire movie?？”
“Renly, the movie caused a lot of controversy at Cannes and the reviews didn't seem to meet expectations. What do you think?？”
“Renly, many people criticize the form of 'Lobster' as being greater than the content and bypassing the empty space. What is your opinion on this?？”
“Renly, do you think you've brought something new to this performance?？”
……
Renly, Renly, Renly. It can be clearly noticed that the absolute core of the "Lobster" post-screening press conference is Renly. More than two-thirds of the questions revolve around Renly; but this is also an expected situation. The entire crew is ready to face this craze with a relaxed attitude.
What is worthy of recognition is that Cannes still showed the style of the three major European film festivals. Gossips and rumors did not steal the attention. Most of the questions still revolved around the film, especially Renly's performance. You can't blame the reporters, after all. Renly has just won his second Oscar, and "The Lobster" has almost appeared on the cusp of the storm. These problems can be said to be completely expected, and then they happened naturally..
Renly also showed his general style, being calm, easy to deal with, chatting and laughing, and from time to time he directed the topic to his colleagues in the crew, ensuring that the entire press conference was kept in a cheerful and relaxed state, and other actors could also Join the discussion.
“Renly, out of all the works exhibited at this year's Cannes Film Festival, who is the director you most want to work with? So, if you look around the world, who are the directors that you haven’t worked with yet but are eager to get a chance?？”
Although it is still a standard question, it is obviously much more interesting than gossip and rumors..
Even though he had been dealing with reporters continuously throughout the morning and was probably mentally exhausted by the afternoon, Renly still showed his professional attitude and remained highly focused from beginning to end..
“George Miller and Xiaoxian Hou." Renly gave his own answer, which greatly exceeded the expectations of the reporters at the scene. Renly did not reserve his attitude and once again emphasized his love for "Mad Max" love, and then talked about his expectations for "Assassin Nie Yinniang".
Just like the position of the jury, similar questions can always show a person's artistic taste. Undoubtedly, Renly once again brought surprises.
“Steven Spielberg and David Fincher." This is the answer to the second question, "Actually, there are really, really many directors worth choosing. Not long ago, Wes Anderson and I were talking about He also talked to me about the filming plan of his next film; Richard Linklater also talked to me about every aspect of filming "Boyhood", which is very exciting; of course, there is also Alejandro Gonzalez. S-Inarritu is also one of them.”
“But I still look forward to the opportunity to work with Steven and David." Renly explained his views objectively, "They are always able to incorporate their own ideas about shots, editing, and composition into the movies, and the actors are also Had to be a part of it, it was definitely a special acting experience.”
Although "Pacific War" was produced by Steven Spielberg, he never actually took charge of the camera, which also means that Renly has not yet collaborated with the great director..
At the end of the press conference, nearly a hundred people were crowded in front of the stage. The crowd was so overwhelming that the crew members could not leave at all. The main purpose of the reporters was to take photos with Renly and ask for Renly's autograph..
This is also a unique landscape, because Cannes is now open to more and more self-media, and emerging media outside of traditional media have joined this grand party. Many of them are facing the problem of "if you miss this year, there may be no next year." Difficulty, naturally we must seize the opportunity.
Therefore, the press conference was like a fan meeting, with close contact for photos and autographs, and it was very lively..
As you can see from the questions asked at the press conference, Renly's performance is still the most popular topic of discussion..
Undoubtedly, the light-weight and wise-witted performance in "The Lobster" attracted a lot of applause, and the continuous laughter at the premiere was the best proof; but compared to previous works, "The Lobster" did not give Renly a "highlight moment" "The spotlight seems to be a bit difficult to lament that Renly has made another breakthrough.".
Especially after the second Oscar, it seems that it has not been able to meet the expectations. Compared with the previous awards of "career best", it is indeed a bit dull..
Or are the reporters really at a loss for words and don't know how to praise Renly?？
For this reason, the French professional film magazine "Main Film" wrote an article commenting on Renly's performance in detail.
“stiff. rigid. cold. dull. jerky.
Yorgos Lanthimos's unique film language defines a performance framework for each actor, relying on rhythm and atmosphere to create a black humor effect, which does not leave much room for the actors to use their strength. If it is too violent, the actor may break the balance of the film, but it will be too much..
But Renly Hall still did it.
The expressionless and calm performance method gives the character a sense of stiffness like a 'marionette', bursting out with enough energy in the absurd and bizarre story background, not only amusing the audience, but also allowing everyone to see a different story. Renly, this is already worth the price of admission..
However, the reason why Renly is Renly is that his interpretation and understanding can always give the character more vitality. The three scenes in the entire movie simply and powerfully deepen the theme of the movie, making this work more interesting. many possibilities.
Check in hotel, forest solo dance, ending restaurant.
In these three scenes, Renly still continued the performance style of the entire movie, with stiff and clumsy body language, and all emotions were hidden under the cold and rigid camera frame. However, through changes in the rhythm of his performance, Renly Integrate the character's psychological emotions into every detail：
Eyes, fingers, shoulders. It is these subtle body languages that may be restrained, paused, or exploded. They inject the soul in a short but powerful way..
Just from the last rivalry scene at the end, you can feel Renly's strong acting skills. The ups and downs of emotions, changes in emotions and advancement of the mind are just between a pause and a raise of the eyes. There seems to be no carving, but it is clearly presented. That kind of power came to my face：
Hesitation, hesitation, fear, panic, withdrawal, fear... then all transformed into love. Driven by love, he became firm and persistent; but the brief flash of confusion in Renly's eyes gave the character a deeper meaning. Meaning: Is this true love? Or maybe this is just the love he thinks？
A fleeting emotional pause further elevates the core idea of the entire movie to a whole new level. In the end, the open ending left by Ogus is not just about love or marriage or social relations, but also the relationship between two people. Each character's own reflection and rumination on society. It can even go a step further and make their confusion a mirror of society, contrasting with the two situations of the hotel and the forest..
This gives the movie more possibilities, and this is where Renly excels as an actor..
Renly Hall's acting skills and abilities have entered a new stage. His easy-to-hand emotional processing does not require too much elaboration of details, but he can change the emotional foothold through internal adjustments such as rhythm changes and strength, and bring the story to life. The intricacies of the kernel emerge.
With this ability alone, Renly has already entered the master level, which is indeed inconsistent with his age..
The more valuable part of "The Lobster" is that it shows Renly's ability to control comedy, constantly restraining his own light and edges, and fitting in with the performance rhythm of the entire movie. The bizarre and absurd plot is perfectly integrated. Fits the character to create a comic effect.
Renly has a golden age mime effect, just like Buster Keaton. His face seems expressionless but his heart is surging. This is undoubtedly a high-level comedy..”
The entire film review completely revolves around Renly, with unquestionable praise. After winning two Oscars at the beginning of the year, Renly is once again rectified. This actor who has created countless miracles at a young age is still a favorite of the French media. Beloved. And the "feature film" is only part of the many praises. Judging from the views and attitudes of the European mainstream media, Renly's performance has still been unanimously praised..
From the discussion of "The Lobster" itself to the discussion about Renly's performance, the Cannes Film Festival has been completely shrouded in Renly's powerful appeal in the past twenty-four hours, and it will continue to do so, even the main theme All the entries in the competition section are no exception, truly feeling the power of "Renly Frenzy".
Then, amidst all the noise, "Carol" is about to make a debut under tremendous pressure. Can they steal the spotlight from Renly?？
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